UPDATE: They are back at the southbank in January.
www.southbankcentre.co.uk/find/dance-per formance/tickets/circus-klezmer-spain-50 183
Our first trip to the International Mime Festival 2009 was not a success.
I will gloss over it all with the following equation:
Set in a gypsy circus with acrobats, jugglers and clowns may sound twee, but the setting was more Carnivale than Billy Smart.



While waiting in the foyer, the cast wandered around performing small tricks for the pre-audience audience.
As we took our seats the violinist played on stage and the lead performer (clown and show director Adrian Schvarzstein) chivvied people along to their seats - including taking people's coats off their backs and manhandling them up the aisle. The klezmer band played from behind crates of vegetables and the two principles did some balancing with boxes and the like.
Then the trapeze artist arrived to join the troop and once she climbed above the stage and showed that swinging backwards and forwards is not all the trapeze is about - including the "almost fell to the floor" stunt in her act. She was of course a very fit athlete as were the physical stunts of the circus manager and his wife (I think that's their scripted relationship) whose arguments involved She running screaming and jumping at Him as he turned and caught her in a variety of uncomfortable looking positions - physical comedy not out of place in a Marx Brothers film ensued.
The three part juggling of the usual balls and skittles leads into an excellent session of shotglasses and bottles around the table - two getting "drunker" and one missing out every time. Audience participation ranged from the little pranks on the latecomers to one guy enlisted as the "romantic" lead in a triangle between the circus leads, and much more fun from the burlesque troop.
Actually talking of burlesque, the hapless Vecina's sexy chair-dancing a la Dietrich was tearjerkingly funny.
The band were excellent, trad. klezmer a perfect soundtrack of violin, drum, accordion and clarinet.
(Check that link for more photos.)
It was mostly spoken in spanish/gypsy and too fast to catch but meanings were always clear, and much of it required no words.
At the end, they thanked the audience in english, a classy act from classy performers. I hope they come back to London again soon, because I have a few people who I'd like to see the show with !
See for yourself
www.southbankcentre.co.uk/find/dance-per
Our first trip to the International Mime Festival 2009 was not a success.
I will gloss over it all with the following equation:
French toilet puppets = French toil at puppets.
(One footnote there was an actual toilet and some shit in the plot ...)
However, Circus Klezmer last night at the Purcell Rooms was great entertainment.(One footnote there was an actual toilet and some shit in the plot ...)
Set in a gypsy circus with acrobats, jugglers and clowns may sound twee, but the setting was more Carnivale than Billy Smart.


While waiting in the foyer, the cast wandered around performing small tricks for the pre-audience audience.
As we took our seats the violinist played on stage and the lead performer (clown and show director Adrian Schvarzstein) chivvied people along to their seats - including taking people's coats off their backs and manhandling them up the aisle. The klezmer band played from behind crates of vegetables and the two principles did some balancing with boxes and the like.
Then the trapeze artist arrived to join the troop and once she climbed above the stage and showed that swinging backwards and forwards is not all the trapeze is about - including the "almost fell to the floor" stunt in her act. She was of course a very fit athlete as were the physical stunts of the circus manager and his wife (I think that's their scripted relationship) whose arguments involved She running screaming and jumping at Him as he turned and caught her in a variety of uncomfortable looking positions - physical comedy not out of place in a Marx Brothers film ensued.
The three part juggling of the usual balls and skittles leads into an excellent session of shotglasses and bottles around the table - two getting "drunker" and one missing out every time. Audience participation ranged from the little pranks on the latecomers to one guy enlisted as the "romantic" lead in a triangle between the circus leads, and much more fun from the burlesque troop.
Actually talking of burlesque, the hapless Vecina's sexy chair-dancing a la Dietrich was tearjerkingly funny.
The band were excellent, trad. klezmer a perfect soundtrack of violin, drum, accordion and clarinet.
(Check that link for more photos.)
It was mostly spoken in spanish/gypsy and too fast to catch but meanings were always clear, and much of it required no words.
At the end, they thanked the audience in english, a classy act from classy performers. I hope they come back to London again soon, because I have a few people who I'd like to see the show with !
See for yourself







